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Colin was in the group that was opening for Brubeck. I knew he had tremendous chops, but when I saw and heard him play in person, I just had to have that technique.

For two weeks, as soon as Joe woke up every day, there I was with the practice pad. Six weeks later he joined the Vince Guaraldi Trio, and played clubs in San Francisco, including several months at the Trident in Sausalito, and other well known clubs such as The Blackhawk and Jazz Workshop.

He also played on albums by Mel Torme, Peggy Lee, and Rosemary Clooney.

In the 70s, a young, talented crowd of guitarists raised their axes and slowly began to dominate.

It was titled Surging Ahead and got 5 stars in Down Beat.

That session led to another important connection in Colin’s career.

Barbour told Bain he was working with Tommy Dorsey at the Casino Gardens in Los Angeles, and that he was going to stay in town when the band went on the road.

He requested Im Gonna Take A Slow Boat To China, which the group played straight away. Bain eventually came home, and in late 1945, he received a call from guitarist Dave Barbour.

Colin lived in Australia in the late fifties and was staff drummer at T. In 1960, Colin met the biggest influence in his life as a drummer.

Joe Morello came to Australia on a tour with the Dave Brubeck Quartet.

He was so gracious, showing me the George Lawrence Stone finger control technique. I put in many hours every day trying to get it down, (I am still practicing mastering it! I had a lot more control with volume, and could play quietly with intensity, something that is tough for a lot of drummers. During this period, the trio played with such jazz greats as Ben Webster, Jimmy Witherspoon, and Gene Ammons. In January of 1963, he got a call from Victor Feldman who asked if he would be interested in going to Los Angeles to play a steady gig with his trio. The exposure of playing with Victor was tremendous.

Joe and I have been the best of friends ever since.”Jazz Impressions of Black Orpheus In 1961, Colin emigrated to the U. In February of 1962, the record Jazz Impressions of Black Orpheus was made, featuring the tune “Cast your fate to the Wind” which was Vince’s composition. Victor had heard the record and wanted Colin to be a member of his group. Local and visiting musicians would come into the club on Sunset Boulevard called The Scene to hear the trio play.

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