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Her newest book, “Sex Object,” is a memoir of her sex life and the misogyny that she believes it demonstrates.To this end, she provides an extensive collection of romantic encounters and involvements — even though she knew that her book, and its title, were bound to provoke endless Twitter hate.“Whenever women write about sex, whenever they write about their relationship history, there’s a sort of rush to judgment that it must be navel gazing, it must be frivolous, it’s unimportant,” Ms. “Whereas of course when men write things about their sex lives or past relationships, it’s brave and universal and all the great things.”For her, the decision to do a memoir was a departure.I guess that’s why I’m more to the side of reticence and discretion than full-blown execution.”For her, it is a kind of anguish to call upon the personal, and the personal parts of her books are, she said, the ones she hates to write. Laing does it, in part because, as she said, “I guess I think it’s ethical to make something of your own experience transparent if you’re going to be digging around in other peoples’ lives.”Unlike Ms.Laing, the feminist author and blogger Jessica Valenti, 37, recently decided to embrace the personal with impunity.“The big hurdle was my parents reading stuff, because we had maintained this fiction about what my life was that was really comfortable for everybody.Which was not really talking about how dating is.”When Ms.“The thing is, I don’t feel like I massively do that,” she said. I don’t feel like I’m someone who writes about dating.”Yet the impetus for her most recent book, “The Lonely City,” came when Ms.
She was in Cambridge, England, when I reached her to discuss her approach to the personal.
Social mores had changed to accept a wider range of sexual practices.
And it felt like the protagonist in some ways, the main person experiencing all of this, was women.”Thus began her quest to understand the consequences of these changes.
“This is a moment when people like to take pictures of their perfect lives, and I don’t think there’s much pressure on a perfect life to be anything but old-fashioned and conventional,” he said. Stein’s observations is an animating spirit throughout Ms. at Yale in the joint program of Comparative Literature and Film and Media Studies, is an academic by training, and uses the comprehensive research and dispassionate analytic style that she has honed in school. ” only to realize with horror how absurd it was that, every inch the self-respecting, educated writer and thinker, she still craved guidance from a man on this most individual of questions.
Witt’s book: her quest to find some kind of new arrangement, even while she harbors a fierce attachment to the old ones.“Labor of Love: The Invention of Dating,” by Moira Weigel, is, like Ms. It wasn’t until the end of the process of writing her book that Ms. She includes the story in the first pages of her book; it’s one of the few explicitly personal exchanges she relays. Weigel, the entire process felt “urgent” and intensely personal, she told me, because the questions of how people relate to each other romantically were the ones she cared about.“I really wanted to take the subjects of love, sex and dating seriously and felt keenly aware of the trap that I had seen many young female writers pushed into, when they were encouraged to focus on ‘personal’ subjects.
These writers have been greeted with a great deal of attention, yet there remains the anxious sense that to write about such topics is to risk forfeiting gravitas. Witt’s book is among the most personal of the bunch, offering up her perceptions of (and adventures in) the worlds of internet dating, internet pornography, orgasmic meditation and the kink industry. Witt’s book is her willingness to confess her unhappiness.“You can tell yourself different stories about why things are happening,” Ms. “I knew the story that I was telling myself — that I would eventually meet someone and get married — felt really false.