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But her large noble family has other plans, and as an adult, Jane is invited to the King’s court to serve as lady-in-waiting to Queen Katherine of Aragon.
The devout Katherine shows kindness to all her ladies, almost like a second mother, which makes rumors of Henry’s lustful pursuit of Anne Boleyn—also lady-in-waiting to the queen—all the more shocking.
Set on the water in one of New England's most beautiful locales, the Bar Harbor Home was established specifically for elderly writers needing a place to live out their golden years—or final days—in understated luxury and surrounded by congenial literary company.
A faithful staff of nurses and orderlies surround the writers, and are drawn into their orbit, as they are forced to reckon with their own life stories.
But now he's come to the Bar Harbor Home for the Elderly to spend the remainder of his days among kindred spirits: the publishing industry's nearly gone but never forgotten greats.As the words flow from him, weaving a tale taken up by the other residents of the Pen, Cecibel is reawakened to the idea of love and forgiveness.As the edges between story and reality blur, a world within a world is created. Inventing the Boatman—a terrible monster that lures kids into a strange sleeping sickness and never lets them go—probably wasn’t one of her better ideas though.» Publisher information Description: For readers of Philippa Gregory and Alison Weir comes a dramatic novel of the beloved Empress Maria, the Danish girl who became the mother of the last Russian tsar. Narrated by the mother of Russia’s last tsar, this vivid, historically authentic novel brings to life the courageous story of Maria Feodorovna, one of Imperial Russia’s most compelling women, who witnessed the splendor and tragic downfall of the Romanovs as she fought to save her dynasty in its final years.Serving as an archivist for her own work, Karpa explores the emotional connections tied to our physical spaces.Whether she’s collecting buttons, unraveling Mary Jane wrappers, or contemplating second hand clothing, Bernadette Karpa reminds us that while past objects are part of our histories, they do not need to define us.